Brandi Carlile: Exclusive Iowa Symphony Show
Incomparable singer-songwriter Brandi Carlile returns to our stage in an exclusive Midwest appearance – her only orchestra performance in the region this year – for a show the Seattle Times called a ‘stirring, lush delight.’
“If you start a band with me, I’ll get us signed and on the road within a year” … Not only did the determined, confident and tenacious 22-year-old Brandi Carlile come through with her promise to twin brothers and initially reluctant band members Phil and Tim Hanseroth, but she also exceeded their expectations. Carlile landed the prophesied record deal with Columbia Records one year later and with the guidance of producer Rick Rubin, they recorded and released their eponymous debut album in early 2005. “The Twins were local heroes to me, I used to go and watch them play live when they were in The Fighting Machinists, I thought they were cool but more importantly great singers and songwriters.” It was a partnership that would see Brandi Carlile and Tim and Phil Hanseroth sharing everything from the stage, songwriting and production credits and all creative business decisions, to bunk beds, road pranks, swine flu, confined spaces and dirty t-shirts too.
With the recent release of Carlile’s 5th major label album release Bear Creek and after almost a decade of extensive touring, the trio and self-confessed “road dogs” and “dirty pioneers” are back with a bang. But it’s not record sales, industry accolades or commercial success that make Brandi Carlile a uniquely compelling artist; in fact some would say she has purposely gone out of her way to avoid it, “I would never write commercially or dress commercially or behave in any way that would inspire mainstream success”. It’s tales from the road, where she and the twins have spent the best part of their careers building Carlile’s fan base and audience, whilst remaining under the industry radar, that tells you the story of who she really is.
“I’ve been singing and performing music since I was seven, so I don’t ever remember making a conscious decision to be a musician. I would’ve had to have made a conscious decision NOT to be a musician” Throughout her late teens Carlile had already built up a local fan base in her home city of Seattle through hard work, determination and an unwavering belief in her talent. Blessed with a truly remarkable voice and an innate gift for performing, she always believed she was destined to be a great singer. She would hone her skills by studying and listening to her favorite vocalists, experimenting and testing the boundaries of her voice to see how long she could hold out a note, and how loud and high she could sing. “I wanted to learn to scream my head off like Thom Yorke and yodel like Patsy Cline”. Carlile busked, played coffee houses and persuaded local business owners to give her residencies by guaranteeing the venues would reach their full capacity on the nights she appeared. Carlile recalls how she would personally ensure her fans attended her gigs. “I passed around mailing lists to my audiences and I would take their numbers and call them myself on the day of my next gig to make sure they would turn up.” And turn up they did and still do, except now they number in the thousands.
Over the last eight years Carlile has enjoyed groundbreaking success, headlining and selling out major shows and venues across the United States and the rest of the world. Working her way up from playing acoustic at Medin’s Ravioli Station and busking at Pikes Place Market, to fronting her six-piece band at The Ryman Auditorium and leading a symphony at Benaroya Hall; Carlile has earned her reputation as a fearless and consummate performer who is undoubtedly in a class of her own.
Collaborators at heart, Carlile and The Twins have written, produced, recorded and shared the stage and with “anyone we can get to sing with us”, touring with friends Ray Lamontage, The Avett Brothers and Dave Matthews, who refers to Carlile affectionately as “a big fat trumpet head”. Sheryl Crow, somewhat more eloquently, describes Carlile’s voice as “the most amazing voice I may have ever heard. Soulful. Country. Perfect in every way…. and propelled by taste.”
Firm believers that artists in the public eye have a social and moral responsibility to promote and marry humanitarian efforts with their musical agenda, Carlile and The Twins have used their success on the road to fund The Looking Out Foundation. Founded in 2008, the foundation serves the chronically underserved through its ongoing philanthropic efforts and involvement with social issues. Brandi Carlile and her fans donate $1 from every concert ticket sold to The Looking Out Foundation, channeling hundreds of thousands of dollars and resources to organizations that support the arts, women, public health, the hungry and the homeless. Carlile is particularly proud of co-founding The Fight The Fear Campaign, a community-oriented violence prevention initiative. “It really isn’t about fighting other people, it’s about respecting the fact that you yourself are worth fighting for.” In true trailblazer style, she and the Twins hope to expand their outreach through music, and make a positive impact on the world for many years to come.